Potts enters the scene
As Potts continued his ride, the story goes, he came across the Army’s camp. In the woods nearby, Potts “heard a plaintive sound as of a man at prayer,” he is quoted as saying years later to a friend, the Rev. Nathaniel Randolph Snowden. As recorded by Snowden, “I tied my horse to a sapling & went quietly into the woods & to my astonishment I saw the great George Washington on his knees alone, with his sword on one side and his cocked hat on the other. He was at Prayer to the God of the Armies, beseeching to interpose with his Divine aid, as it was ye Crisis, & the cause of the country, of humanity & of the world. Such a prayer I never heard from the lips of man. I left him alone praying.”
Potts then went home and told his wife what he saw. “She also was astonished. We thought it was the cause of God, & America could prevail.”
The first publication of the Potts story was in a book on the life of Washington written by the Rev. Mason Locke Weems, generally known as Parson Weems (1759-1825). The book was printed in several editions beginning in 1800. New anecdotes were added in successive editions. The Valley Forge prayer first showed up in the 1808 edition, notes Bryn Mawr College archivist Lorett Treese in her book Valley Forge: Making and Remaking a National Symbol (1995, Penn State University Press).
Weems is the inventor of the story about Washington chopping down the cherry and confessing to his father, “I cannot tell a lie.”
The Weems and Snowden versions have a few differences but are essentially the same tale. Snowden, who was born in 1770 and died 1851, told his story in “Diary and Remembrances," which covers his life to 1846.
Snowden identifies the prayer watcher as John Potts, the name of one of Isaac’s brothers, but he may have meant to write “Isaac,” say those willing to give the story credence. Weems and Snowden both give the wife’s name as Sarah. But Isaac’s wife in 1777 was named Martha. After she died, he married Sarah in 1803 (roughly three years after Washington’s death). Another problem with the story is that Isaac Potts wasn’t living at Valley Forge during the encampment, Treese says in her book. He was in Pottsgrove, Pa., between 1774 and 1782.
Then there is this question: If Washington left the camp to pray in solitude, why was he praying so loudly that every word could be heard a good distance away?
In memory of the prayer
In 1918, believers in the prayer story lobbied the Valley Forge Park Commission—created in 1893 to operate the site when it was a state park—for a monument on the spot where Washington supposedly was seen kneeling in prayer. The commission wasn’t keen on the idea.
It looked at “ thousands of pages” of correspondence, diaries and manuscripts from Washington, his staff, soldiers ranking from general to private, and members of a congressional committee that visited the camp, according to an article in a 1945 publication of the Valley Forge Historical Society. The commission scoured the Library of Congress and other places with Revolutionary War records and then issued a report stating that "in none of these were found a single paragraph that will substantiate the tradition of the 'Prayer at Valley Forge.'"
A government commission, however, can’t kill a legend. A tour guide in the 1920s and ’30s would show the “exact spot” where Washington knelt in prayer, according to the Historic Valley Forge website of the Independence Hall Association.
Meanwhile, artists’ renditions of the prayerful Washington, which Treese says began in the mid-1800s, have continued to the present day. One of the most popular is The Prayer at Valley Forge, painted by Arnold Friberg in 1975.
The original was appraised at $12 million, according to Friberg Fine Art Inc. in Salt Lake City. Friberg died in 2010.
For many people, that painting symbolizes the blending of faith with patriotic duty and the power of prayer to provide strength in times of distress. To question the accuracy of Friberg's work is not to question those sentiments. Just realize that it is a painting, not a photograph.
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